ICOHM · Registering as Listener

International Conference on History of Music

12th Mar – 13th Mar 2027 Ankara, Turkey Standard / Physical Participation
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$140
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1.1 Paper Submission and Publication in IGAE Conferences

  • All Authors and Co-authors must inform their respective Dept. Head/Principal/Guide about the paper submission to IGAE Conferences.
  • IGAE accepts each paper for the conference only after a review by two internal or external IGAE Reviewers.
  • IGAE never publishes any unregistered paper.
  • IGAE is not responsible for identifying the original author or co-author of the paper. The person who submits the paper will be considered the original author.
  • If IGAE receives a complaint about the originality of an author and it is found to be true, the paper will be suspended immediately.
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1.2 Attending IGAE International Conferences

  • All participants must register before attending the conference by paying the specified amount mentioned in the registration menu on the website.
  • The Organizer reserves the right to change the venue and date at any time before the conference. Any changes will be communicated to delegates via their registered email ID.
  • IGAE is not responsible for financial loss due to ticket cancellation or any other bookings if the conference format changes from physical to virtual or is rescheduled.
  • If an author cancels their registration, no refund will be issued.
  • IGAE reserves the right to deny refunds to registered authors or co-authors who have attended the conference and accepted publication/certificates.
  • If the Author cannot attend the conference for any personal reason, the co-Author should attend. No refund will be provided.

1.3 Cancellation & Refund Policy

  • Registration cancellation will be accepted if the registrant did not receive the official invitation letter. Once received, no refund claims will be entertained.
  • A full refund is applicable only if requested at least 70 days before the conference date, with the cancellation form submitted 60 days prior.
  • No refund is available for cancellation requests made 30 days or less before the conference. However, a credit will be issued, valid for one year.
  • For cancellations made between 60-30 days before the conference, a partial refund is available, deducting applicable charges.
  • If registration was completed less than 30 days before the conference, no refund is applicable. The registrant may switch to another conference within one year.
  • If a participant is unable to attend for personal reasons, the registration fee will not be refunded but will be credited for another conference within one year.
  • If the conference is in hybrid mode, the organizer has the right to conduct it in physical or virtual format. No refund is applicable for format changes.

1.4 Travel and Accommodation Responsibilities

  • IGAE is not responsible for arranging or managing travel, flights, transportation, or accommodation for participants.
  • In the event of conference format changes, cancellation, or venue adjustments, IGAE assumes no responsibility for participant-incurred travel or accommodation costs.
  • Registration fees do not include travel or accommodation expenses.

1.5 Transfer of Registration

  • Fully paid registrations can be transferred to another individual from the same institution if the registered person cannot attend. A registration form must be submitted.
  • Transfers must be requested in writing via [email protected], with prior registration details and attestation by the cardholder.
  • Registration can be transferred to another IGAE conference if the registrant cannot attend the originally registered event.
  • Registration transfers are not accepted within 14 days of the respective conference.
  • Transferred registrations are not eligible for refunds.

1.6 Visa Information & Invitation Letter Policy

  • The organizer will not directly contact embassies or consulates on behalf of visa applicants.
  • All delegates/invitees are responsible for their visa and travel arrangements.
  • The invitation letter is issued solely for conference attendance and does not serve as an official document for residency, work, or immigration purposes.
  • The letter is provided to assist in visa applications, and attendees must adhere to the visa regulations of the host country's embassy or consulate.
  • The Organizing Committee holds no responsibility for visa approvals, denials, or processing delays. Visa decisions lie solely with the immigration authorities.
  • All expenses related to visa applications are the sole responsibility of the applicant.
  • Any misuse, modifications, or alterations of the invitation letter will render it invalid and may result in immediate termination of conference registration.
  • The organization reserves the right to take necessary actions against misuse of this document.
  • By accepting the invitation letter, the participant agrees to comply with all legal and ethical international travel and conference attendance guidelines.

1.7 Conference Programme and Participation Policy

  • Where submissions share relevant themes or wider academic value, the Organiser may integrate them across disciplines in interdisciplinary or multidisciplinary sessions that promote diverse viewpoints, knowledge exchange, and professional connections.

To be Noted

  • All cancellations or modifications must be submitted in writing to [email protected]
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  • After completing registration, participants must submit the conference registration form within 3 days. The form will be available on the event page. Failure to submit will result in non-confirmation of event participation.
  • Do not book travel arrangements until you receive the official conference program details, which will be sent via email 15 days before the conference.

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Registration summary

ConferenceICOHM
ModeStandard / Physical
ParticipationListener
Registration fee$0.00
Bank charges (5.8%)$0.00
Coupon discount-$0.00
Total payable$0.00

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Benefits of Registering as Listener

Access to Conference Sessions
Networking Opportunities
Certificate of Participation
Invitation Letter Support
Conference Kit / Materials
Access to Keynote Sessions

Conference session tracks

Key research areas covered across the sessions — tap a track to read more.

This track explores the intersection of archaeology and music history, focusing on how archaeological findings can illuminate the musical practices of past societies. Participants are encouraged to present case studies that highlight the role of music in cultural and social contexts throughout history.

This session examines the evolution of communication methods and media in relation to music history, including the impact of technology on music dissemination. Papers may address historical media forms, their influence on music culture, and the implications for contemporary music studies.

This track investigates the relationship between human activities, environmental factors, and the development of musical traditions. Contributions should focus on how ecological contexts have shaped musical forms and practices across different cultures and time periods.

This session promotes interdisciplinary methodologies in music archaeology, emphasizing the integration of various scientific techniques and theoretical frameworks. Presentations should showcase innovative research that combines archaeological evidence with musicological analysis.

This track delves into the role of music in prehistoric societies, exploring how early humans used sound for communication, ritual, and social cohesion. Papers should consider archaeological evidence and theoretical interpretations of music's significance in ancient cultures.

This session focuses on the application of modern technologies, such as remote sensing and GIS, in the study of historical music practices. Participants are invited to discuss how these tools enhance our understanding of music's role in archaeological contexts.

This track examines the relationship between ceramics and musical instruments, exploring how material culture informs our understanding of music history. Papers should investigate the production, use, and significance of ceramic instruments in various cultural settings.

This session explores the connections between bioarchaeological findings and musical identity, focusing on how physical remains can reveal insights into the musical practices of past populations. Contributions should highlight case studies that link bioarchaeology with musicological research.

This track investigates the role of metals in the creation of musical instruments and their cultural significance throughout history. Papers should explore the technological advancements in metallurgy and their impact on music production and performance.

This session addresses the challenges and methodologies involved in interpreting and presenting musical heritage in archaeological contexts. Participants are encouraged to share innovative approaches to showcasing music history through exhibitions, performances, and digital media.

This track examines the concept of archaeological feedback in the study of music history, focusing on how contemporary music practices can inform archaeological interpretations. Contributions should explore the reciprocal relationship between modern music and historical research.

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