ICFHCM · Registering as Listener

International Conference on Film, History, and Collective Memory

10th Dec – 11th Dec 2026 Sydney, Australia Standard / Physical Participation
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1.1 Paper Submission and Publication in IGAE Conferences

  • All Authors and Co-authors must inform their respective Dept. Head/Principal/Guide about the paper submission to IGAE Conferences.
  • IGAE accepts each paper for the conference only after a review by two internal or external IGAE Reviewers.
  • IGAE never publishes any unregistered paper.
  • IGAE is not responsible for identifying the original author or co-author of the paper. The person who submits the paper will be considered the original author.
  • If IGAE receives a complaint about the originality of an author and it is found to be true, the paper will be suspended immediately.
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1.2 Attending IGAE International Conferences

  • All participants must register before attending the conference by paying the specified amount mentioned in the registration menu on the website.
  • The Organizer reserves the right to change the venue and date at any time before the conference. Any changes will be communicated to delegates via their registered email ID.
  • IGAE is not responsible for financial loss due to ticket cancellation or any other bookings if the conference format changes from physical to virtual or is rescheduled.
  • If an author cancels their registration, no refund will be issued.
  • IGAE reserves the right to deny refunds to registered authors or co-authors who have attended the conference and accepted publication/certificates.
  • If the Author cannot attend the conference for any personal reason, the co-Author should attend. No refund will be provided.

1.3 Cancellation & Refund Policy

  • Registration cancellation will be accepted if the registrant did not receive the official invitation letter. Once received, no refund claims will be entertained.
  • A full refund is applicable only if requested at least 70 days before the conference date, with the cancellation form submitted 60 days prior.
  • No refund is available for cancellation requests made 30 days or less before the conference. However, a credit will be issued, valid for one year.
  • For cancellations made between 60-30 days before the conference, a partial refund is available, deducting applicable charges.
  • If registration was completed less than 30 days before the conference, no refund is applicable. The registrant may switch to another conference within one year.
  • If a participant is unable to attend for personal reasons, the registration fee will not be refunded but will be credited for another conference within one year.
  • If the conference is in hybrid mode, the organizer has the right to conduct it in physical or virtual format. No refund is applicable for format changes.

1.4 Travel and Accommodation Responsibilities

  • IGAE is not responsible for arranging or managing travel, flights, transportation, or accommodation for participants.
  • In the event of conference format changes, cancellation, or venue adjustments, IGAE assumes no responsibility for participant-incurred travel or accommodation costs.
  • Registration fees do not include travel or accommodation expenses.

1.5 Transfer of Registration

  • Fully paid registrations can be transferred to another individual from the same institution if the registered person cannot attend. A registration form must be submitted.
  • Transfers must be requested in writing via [email protected], with prior registration details and attestation by the cardholder.
  • Registration can be transferred to another IGAE conference if the registrant cannot attend the originally registered event.
  • Registration transfers are not accepted within 14 days of the respective conference.
  • Transferred registrations are not eligible for refunds.

1.6 Visa Information & Invitation Letter Policy

  • The organizer will not directly contact embassies or consulates on behalf of visa applicants.
  • All delegates/invitees are responsible for their visa and travel arrangements.
  • The invitation letter is issued solely for conference attendance and does not serve as an official document for residency, work, or immigration purposes.
  • The letter is provided to assist in visa applications, and attendees must adhere to the visa regulations of the host country's embassy or consulate.
  • The Organizing Committee holds no responsibility for visa approvals, denials, or processing delays. Visa decisions lie solely with the immigration authorities.
  • All expenses related to visa applications are the sole responsibility of the applicant.
  • Any misuse, modifications, or alterations of the invitation letter will render it invalid and may result in immediate termination of conference registration.
  • The organization reserves the right to take necessary actions against misuse of this document.
  • By accepting the invitation letter, the participant agrees to comply with all legal and ethical international travel and conference attendance guidelines.

1.7 Conference Programme and Participation Policy

  • Where submissions share relevant themes or wider academic value, the Organiser may integrate them across disciplines in interdisciplinary or multidisciplinary sessions that promote diverse viewpoints, knowledge exchange, and professional connections.

To be Noted

  • All cancellations or modifications must be submitted in writing to [email protected]
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  • After completing registration, participants must submit the conference registration form within 3 days. The form will be available on the event page. Failure to submit will result in non-confirmation of event participation.
  • Do not book travel arrangements until you receive the official conference program details, which will be sent via email 15 days before the conference.

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Registration summary

ConferenceICFHCM
ModeStandard / Physical
ParticipationListener
Registration fee$0.00
Bank charges (5.8%)$0.00
Coupon discount-$0.00
Total payable$0.00

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Benefits of Registering as Listener

Access to Conference Sessions
Networking Opportunities
Certificate of Participation
Invitation Letter Support
Conference Kit / Materials
Access to Keynote Sessions

Conference session tracks

Key research areas covered across the sessions — tap a track to read more.

This track explores innovative methodologies in film history research, emphasizing interdisciplinary approaches that integrate historical analysis with contemporary film studies. Participants are encouraged to present case studies that highlight the evolution of cinematic narratives and their societal implications.

Focusing on the interplay between collective memory and film, this track invites discussions on how cinema shapes and reflects shared cultural narratives. Papers may analyze specific films or genres that contribute to the construction of collective identities and historical consciousness.

This session examines the role of documentary films in representing historical events and figures, emphasizing their impact on public memory. Contributions should address the ethical considerations and narrative strategies employed in documentary filmmaking.

This track investigates the concept of cultural memory as it manifests in various visual media, including film, television, and digital platforms. Presentations should explore how visual narratives contribute to the preservation and transformation of cultural heritage.

This session focuses on the narrative techniques employed in historical films, analyzing how these structures shape audience perceptions of the past. Papers may explore the tension between factual accuracy and artistic interpretation in historical storytelling.

This track invites discussions on the intersections of film theory and historical contexts, examining how theoretical frameworks can enhance our understanding of historical films. Participants are encouraged to engage with both classical and contemporary film theories in their analyses.

Focusing on the significance of archival research, this session highlights the importance of primary sources in film studies and historical analysis. Presenters should discuss their findings from archival investigations and the implications for understanding film history.

This track explores the relationship between memory studies and cinema, investigating how films influence individual and collective memories. Papers should consider the psychological and sociocultural effects of cinematic representations on audiences.

This session examines the societal impact of films that engage with historical themes, analyzing how they shape public discourse and cultural perceptions. Contributions should address the role of film in fostering historical awareness and critical reflection.

This track investigates the role of visual culture in constructing historical narratives, focusing on the interplay between film and other visual media. Participants are encouraged to explore how visual representations inform and challenge historical understandings.

This session promotes interdisciplinary dialogue among scholars from various fields, including history, cultural studies, and media studies, to explore the intersections of film and memory. Presentations should highlight collaborative research efforts that enrich our understanding of cinematic representations of the past.

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