Film Studies (ICFS-26)

This track invites papers that explore various theoretical frameworks in cinema studies, including but not limited to psychoanalysis, feminism, and post-colonialism. Participants will engage in discussions on how these theories shape our understanding of film as a cultural artifact.

This session focuses on the role of major film festivals in promoting cultural exchange and showcasing diverse cinematic voices. Papers may analyze the impact of festivals on filmmakers, audiences, and the global film industry.

This track examines the changing practices within the film industry, including production, distribution, and marketing strategies. Contributions will highlight how technological advancements and audience preferences have influenced these practices.

This session invites discussions on the art and craft of screenwriting, emphasizing innovative narrative structures and character development. Papers may also explore the relationship between screenwriters and other filmmaking roles.

This track addresses the historical development of television as a medium and its cultural implications. Participants are encouraged to examine how television reflects and shapes societal values and identities.

This session focuses on the complexities of adaptation from literature and other media to film. Papers will explore the challenges and creative processes involved in translating narratives across different formats.

This track invites analysis of horror and science fiction genres, exploring their thematic concerns and cultural significance. Participants will discuss how these genres reflect societal anxieties and aspirations.

This session examines the intersection of surrealism and cinema, focusing on how surrealist techniques influence narrative and visual aesthetics. Contributions may analyze specific films or filmmakers associated with this movement.

This track invites comparative studies of national cinemas, examining how cultural, political, and historical contexts shape film production and reception. Papers may focus on specific countries or regions and their cinematic contributions.

This session explores the relationship between choreography and film, investigating how movement is represented and constructed on screen. Participants may analyze dance films, music videos, and other forms where choreography plays a central role.

This track focuses on the impact of digital media on contemporary film practices, including production, distribution, and audience engagement. Papers may explore the convergence of film with digital platforms and new media technologies.